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Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues ( chroma range). The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion ...
Matte (filmmaking) Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background ...
Basics of image editing. Raster images are stored in a computer in the form of a grid of picture elements, or pixels. These pixels contain the image's color and brightness information. Image editors can change the pixels to enhance the image in many ways. The pixels can be changed as a group, or individually, by the sophisticated algorithms ...
Green screencompositing, or more generally chroma keycompositing, is a technique for combining two still images or video frames. Green screenmay also refer to: Green-screen display, a monochrome CRT computer display. GreenScreen Interactive Software, a publisher of video games. Green screen of death, a failure modeon the TiVo digital video ...
Wire removal. Wire removal is a visual effects technique used to remove wires in films, where the wires are originally included as a safety precaution or to simulate flying in actors or miniatures. It uses a lot of rotomatting, a process of using splines in a program like After Effects or Nuke to extract a subject from a video, motion tracking ...
An afterimage is an image that continues to appear in the eyes after a period of exposure to the original image. An afterimage may be a normal phenomenon (physiological afterimage) or may be pathological ( palinopsia ). Illusory palinopsia may be a pathological exaggeration of physiological afterimages. Afterimages occur because photochemical ...
A powerful and dramatic effect produced by simultaneously trucking in or out while synchronously zooming out or in. Editing. The selection and organization of shots into a series, usually in the interest of creating larger cinematic units. Adding music is also a great way to make it more cinematic.
The effects in Drag Me to Hell were created in many different ways, including green screen, puppets, prosthetics and computer-generated imagery. [10] Bruce Jones was the visual effects supervisor on the film. Of Jones, Raimi commented, "He brought a great can-do approach to the film...
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