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In order to grant copyright protection to computer databases, UK copyright law recognises the element of labour and skill used in compiling them, even though they are not in truth original works (being entirely derived from existing records), [20] applying a principle sometimes called the 'Sweat of the Brow' doctrine; they are also protected by ...
Music licensing. Music licensing is the licensed use of copyrighted music. [ 1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.
A rights deal was settled in September 2009 between PRS for Music and Google that allowed YouTube users in UK to view music videos. [32] Wiltshire Constabulary refused to pay PRS for Music for a £32,000 licence fee in April 2009. Instead the force told all officer and civilian staff that music could no longer be played in their workplaces but ...
Inherently, all historical musical works (pre-1929) are public domain. [ 16] Classical [vague] sheet music, for example, is widely available for free use and reproduction. Some more current works are also available for free use through public works projects such as Internet Archive.
Angola. Life + 50 years [ 12] Life + 25 years (photographic works or applied arts) [ 12] Yes [ 12] Anguilla. Life + 50 years [ 13] 50 years from the death of the author, of the last surviving author for works with more than one author. [ 13] Antigua and Barbuda.
The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock / pop, heavy metal, new wave, and industrial music . In the 20th century, influences from the music of the United States, including blues, jazz, and rock and roll, were adopted in the United Kingdom. The "British Invasion"—spearheaded by ...
Phonographic Performance Limited ( PPL) is a British music copyright collective. [1] It is a private limited company that is registered in the UK. PPL was founded by Decca Records and EMI and incorporated on 12 May 1934, [2] and undertakes collective rights management of sound recordings on behalf of its record-company [3] members, and ...
According to historian Eckhard Höffner indicated that there was no effective copyright legislation in Germany in the early 19th century. [15] Prussia introduced a copyright law in 1837, but even then authors and publishers just had to go to another German state to circumvent its ruling. [15]
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